Store Info

2114 Cherokee Street
St. Louis, MO 63118

314-664-1234
[email protected]

2114 Cherokee St. St. Louis, MO 63118    314-664-1234    [email protected]

Saxquest 2013 Clinic Series Presents Timothy McAllister – Friday Evening October 4

We are absolutely delighted to welcome to the shop Timothy McAllister as part of our 2013 Clinic series. This event will be on Friday evening, October 4, from 5-6pm, and as always, it is FREE! McAllister is in town performing the John Adams’ Saxophone Concerto with the Saint Louis Symphony, after giving the world premiere of this piece just this past August with the Sydney Symphony Orchestra.

Timothy McAllister is the soprano chair of the renowned PRISM Quartet and an internationally-acclaimed soloist. His career has taken him all around the world, with solo performances in top performance venues across the globe, such as the Sydney Opera House, Carnegie Hall’s Isaac Stern Auditorium, Zankel Hall and Weill Recital Hall, Merkin Concert Hall, Boston’s Jordan Hall, City Hall Concert Hall in Hong Kong, Los Angeles’ Walt Disney Concert Hall, Sumida Triphony Hall in Tokyo, Dallas’ Meyerson Center, and Rotterdam’s Zaal de Unie. He has premiered over 150 new works by today’s most eminent and emerging composers. While a universally acclaimed classical saxophonist, McAllister has also appeared with many notable big bands, and performed behind such jazz greats as Jimmy Heath, Rick Margitza, and Dave Liebman.

McAllister holds the Doctor of Musical Arts and other degrees in music education, conducting, and performance from the University of Michigan, where he studied saxophone with Donald Sinta and conducting with H. Robert Reynolds. McAllister serves as Associate Professor of Saxophone and Co-Director of the Institute for New Music at the Bienen School of Music at Northwestern University. He is a Conn-Selmer and Rico Gold artist, endorsing Selmer Paris saxophones and Rico Reserve reeds.

We highly encourage you not to miss this event. It is a tremendous opportunity to meet one of today’s preeminent classical saxophonists in a close and intimate setting. This will bring some wonderful discussion and insight. We hope to see you there!

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Saxquest Concert Series – Paul Zaborac Trio – Tuesday October 1

Saxquest is excited to welcome the Paul Zaborac Trio for a performance on Tuesday evening, October 1, from 7-9 pm. This event is free and open to the public, and will be at the Saxquest shop.

 

A native of Des Moines, Iowa, Paul Zaborac received his masters degree in saxophone performance from the Sydney Conservatorium of Music in Australia. He is an active performer and educator, well versed in both classical and jazz saxophone. This diversity shows through on his debut album Actualize, where he explores how the saxophone can be used as an accompaniment instrument in improvised music, drawing upon the many extended techniques available to the sax.

 

The Paul Zaborac Trio also consists of Bill Williams, originally of Sydney, Australia, on bass, and Deva Permana, of Jakarta, Indonesia, on drums and percussion. The diversity within the trio is reflected in its unique and original sound, drawing from the varied experiences and backgrounds of each member. More information can be found on their website at http://paulzaborac.com/.

 

We are thrilled to host this unique group at Saxquest as a stop on their midwest tour. Please come out for a wonderful evening of great music!
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Saxquest 2013 Clinic Series Presents Bob Mintzer September 28

Image of Bob Mintzer

We are excited to announce another great event at Saxquest. On Saturday, September 28, we are thrilled to welcome Bob Mintzer. This event will be a free clinic, from 2pm-4pm, and is open to the public.

Bob Mintzer is perhaps most well known for his own big band and for being a long time member of the Yellowjackets, but his biography reads like a who’s who list of the past 40 years of the music industry. Bob cut his teeth inNew York City, amongst the rising stars of that scene in the early 70′s. Since then he has played with, toured, and/or arranged for some of the biggest names and big bands around. Whether it was playing and arranging in the Buddy Rich Big Band, touring with Jaco Pastorius’ Word of Mouth Band alongside Michael Brecker and Peter Erskine, or in the studio on recordings for James Taylor or Queen, he has done it all.

In addition to his busy playing and arranging career, Bob teaches saxophone and jazz composition at the University of Southern California (USC) where he lives. He maintains a busy touring schedule performing with the Yellowjackets, teaching workshops, and as a guest conductor/soloist with the top college and pro bands.

We are very excited to welcome Mr. Mintzer to the shop. This is a fantastic opportunity to see a true master of the instrument in an intimate setting. Please come out for a great time!

 

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Saxquest 2013 Clinic Series – JEFF COFFIN & the MU’TET – September 21

Its with terrific fanfare that I invite you out to another wonderful event at Saxquest. On Saturday, September 21, from 11am-1pm, we’ll be hosting a clinic with 3x Grammy Award winner JEFF COFFIN and his Mu’tet. The event is free and open to the public and will be hosted at Saxquest.

 

The Mu’tet takes it’s name from the word mutation, giving way to Coffin’s belief that music is constantly changing and mutating. In addition to the Mu’tet, Jeff is a member of the Dave Matthews Band and was a long-time member of Bela Fleck & the Flecktones.

 

Other members of the group include legendary and iconic players:

 

Felix Pastorius, son of bass great Jaco Pastorius, roots the Mu’tet on electric bass. He has been playing with the group since 2002. In 2012 he joined the legendary jazz quartet Yellowjackets. Felix is a gifted composer and a monster bassist with great chops and sensitivity.

 

On drums is the legendary Roy “Futureman” Wooten. Wooten is a five-time Grammy Award-winning performer with Béla Fleck and the Flecktones. A percussionist of international acclaim, more recently, Wooten has developed a new electronic instrument called the RoyEl, which resembles a piano but plays notes not found in the traditional western music scales. This instrument is based on the periodic table of elements and the golden ratio.

 

Bill Fanning rounds out the horns on trumpet. Bill has performed with Bela Fleck & the Flecktones, the Mu’tet, Glenn Frye (of the Eagles), George Garzone, Jon Faddis, Maria Schneider and George Russell. A brilliant improvisor and musician, Bill is stretching the boundaries of the trumpet.

 

Chris Walters is a brilliant piano player know for his fresh and inventive compositions and improvisations. One of Nashville’s most in-demand sidemen across multiple genres, and an active front-man, Walters has a completely unique and compelling sound.

 

Its such a tremendous thrill for us to bring such a fantastic event to you! If you haven’t been to a Saxquest event yet, be sure this one doesn’t pass you by. The Mu’tet will be be playing at the Gramophone here in St. Louis on Friday evening September 20, catch them there and then follow it up at Saxquest on Saturday!
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Saxophone Idol Competition Sponsored by Julius Keilwerth

Check out this awesome competition being put together, the Julius Keilwerth Saxophone Idol. It features an outstanding panel of judges including Ernie Watts, with whom the winner will get a chance to perform. Do some shedding and send in an application! There are some great prizes for the winners and runners-up. The entry deadline is September 30, and for all the details including applications visit www.julius-keilwerth.com.

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Saxquest 2013 Performance/Clinic Series Featuring Paul DeMarinis & Kim Portnoy July 20

We would like to invite you out for another great event at Saxquest. On Saturday, July 20, we will be hosting a performance/clinic with Paul DeMarinis and Kim Portnoy. This event will be from 2pm – 4pm, and as always it is free and open to the public.

Paul DeMarinis is a St. Louis native and longtime staple of the local jazz scene. The Director of the Jazz Studies program at Webster University since 1988, Paul teaches saxophone, jazz improvisation, and jazz history, as well as overseeing the ensemble and academic jazz program, coordinating the faculty jazz ensemble, and directing the Webster Jazz Series and the Webster Summer Jazz Camp. As a performer, educator, and clinician, he has been involved with the Jamey Aebersold Summer Jazz Workshops as well as the International Summer Jazz Academy in Poland. Paul also has a long association as a saxophonist with the St. Louis Symphony, with performances at Powell Howell, as well as New York’s Carnegie Hall and overseas.

Kim Portnoy is the Director of Composition at Webster University, where he teaches classes in jazz theory, composition, and orchestration. He is recognized as a versatile composer for both classical and jazz, having received commissions from numerous institutions. His compositions have been featured nationally and internationally at the Eastman Summer Trombone Institute in Rochester, New York; the Choral Music Experience Institute in Arvika, Sweden; the Guitar Foundation of America Conference at Oberlin Conservatory of Music in Ohio and two International Association of Jazz Educator’s conferences: New Orleans and Atlanta. Kim is a gifted pianist, performing with the Webster Faculty Jazz Ensemble as well as his own trio and big band, and has appeared on several recordings.

Please come out for some fantastic music and a good time! We’ll see you there!

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Saxquest Special Event – Ramon Wodkowski – woodwind mouthpiece specialist

Saxquest is thrilled to offer an exciting opportunity for woodwind instrumentalists. This coming Monday and Tuesday (June 24 & 25) we’ll be hosting internationally acclaimed mouthpiece specialist, Ramon Wodkowski. Ramon’s clients include many of the world’s leading soloists, orchestral musicians and educators around the world.

“I had the pleasure of working with Ramon in London last fall when the SLSO was on tour. Ramon is a fantastic, meticulous craftsman of the highest caliber. That he is coming to St. Louis is a rare opportunity for anyone seeking a quality hand-made clarinet mouthpiece.” – Diana Haskell, Associate Principal and Eb Clarinet – St. Louis Symphony Orchestra

Saxquest is currently booking time slots for players to work individually with Ramon. His fee for mouthpiece work & consultation is $75/hour. Please contact Saxquest ASAP if you’re interested in booking a session. We’ve already booked seven time slots and they’re filling fast just by word of mouth. So, if you’re interested, don’t hesitate on this one. One person is driving all the way in from Houston, TX. This is a very rare opportunity having Ramon right here in St. Louis.

Ramon also has his own line of mouthpieces which will be here and available for trial as well as a variety of refaced vintage and professional mouthpieces.

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Saxquest 2013 Clinic/Masterclass Series Presents Tim Zavadil – June 22

Saxquest is thrilled to welcome Tim Zavadil to the shop on Saturday, June 22, from 1pm-3pm. This is a clinic/masterclass geared towards our clarinet faithful. This event is free and open to the public.

Tim Zavadil is a long-time friend of the shop, so we are very excited to finally host him. He is a member of the Minnesota Orchestra (since 2007), as clarinetist and bass clarinetist, and was previously with the Louisville Orchestra, Toledo Symphony, and Civic Orchestra of Chicago. He holds degrees from Northwestern University and DePaul University, and has taught at the University of Louisville. Mr. Zavadil is a Buffet Crampon artist, and we’d like to thank them for helping sponsor this event.

This will be a clarinet and bass clarinet clinic/masterclass, in an informal setting. As always it is free to attend. Please continue to show your support, as long as attendance remains strong we will continue to line up fantastic events.

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Conn-O-Sax duet with Chip McNeill & Dave Pietro – Saxquest shop

In St. Louis for Jim Widner’s Big Band Camp at UMSL (University of Missouri St. Louis), Chip McNeill & Dave Pietro pick up the Conn-O-Saxes. We just happened to have the camera rolling to catch this impromptu Conn-O-Sax duet – a first for Saxquest. Never a dull moment with these guys and always a musical adventure!!!

Check out the video on saxophone.org here!

Chip McNeill & Dave Pietro jammin’ at Saxquest on the Conn-O-Saxes

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Paul “Doc” Tenney Obituary – passed away this evening (9 Jun 2013)

It’s with a heavy heart that I relay the news of the passing of a good friend and long-time business partner Paul “Doc” Tenney. Doc passed away this evening around 7PM peacefully at home with his loving wife, Jan, by his side.

Doc was born in Dubuque, Iowa in 1932. While Doc is best known in our circles as a saxophone mouthpiece specialist, he was also a doctor, pilot, jazz musician and hobbyist auto racer/mechanic (Alpha Romeo). His major influence on saxophone was Frankie Trumbauer. Doc once told me a story of how he met Trumbauer in 1948. Doc was 16 and fascinated by aviation just after WWII. He was working as a “rag boy” (cleaning airplanes) at an airfield in Iowa City, Iowa. He recognized Frankie Trumbauer as one of the pilots working on a B-25 Mitchell bomber, which was a rare airplane in 1948 as most of these had been decommissioned after WWII. Doc said as soon as he mentioned saxophones, Frankie stopped working on the aircraft and they spent the rest of the day talking about music and saxophones. Doc said this chance meeting was the best and most influential “impromptu” sax lessons he’d ever received.

I first met Doc some 25 years ago in 1988 or ’89 when my wife and I were freshmen at the University of Northern Iowa (UNI). He was our University doctor. He was also active in the music department and has always been a huge supporter of the UNI jazz program. He could be heard on campus playing with a faculty Dixieland band organized by chemistry professor, Dr. Paul Rider. He also sat in with us students at the Uptown Jazz and Blues Club in Waterloo, Iowa.

As a player he had a BIG powerful sound and could put a ton of air through the horn. Although he was able to get twice the volume of your average player, his sound was lush and resonant and he was a champion of melody. He believed that an improvisation, even when using lots of notes, should still encapsulate a melody. He was also a fine clarinetist.

As Doc got more heavily into mouthpiece refacing, he coined the phrase “Chops in a Box” as a metaphor for something that he insisted he did not sell! “You can’t buy chops in a box” he would often say! More than once a young local player would come over to buy “chops in a box”; Doc would instead give them a free hour long lesson and send them on their way without a mouthpiece telling them to hold onto their money and come back after some more practice. Doc was certainly opinionated and was not shy about expressing his opinions. He was generous with his time and talents and I’m grateful for the sessions we had at the bench together where he introduced me to the craft of mouthpiece refacing. I learned so much from these times together.

Doc was a perfectionist and had the best finish work of anyone in the trade. His work on metal Bergs was brilliant! His “revirgination” of an Otto Link Florida slant or Super Tone Master was without parallel. He constantly stressed “cut once and measure twice”. If a reface job took an hour, half an hour of that time was spent measuring and re-measuring. “Take off as little material as possible to achieve the maximal benefit”. It was this philosophy that enticed Doc to attempt and perfect the “butt cut”. Instead of taking material from the tip and thus thinning the tip and perhaps even shortening the mouthpiece, Doc envisioned, and taught himself, a technique of taking material from the table-side and then reworking the facing curve; thus preserving the original tip and baffle configuration but effectively increasing the tip opening. It’s an incredibly challenging operation requiring patience and skill. In mastering this technique, Doc could offer something no one else could!

While saddened by Doc’s passing. I know he’s in a better place. Over the past few years, his health continued to deteriorate at both an age-predictable and unpredictable pace due to some unexpected “slippages” which seemed to occur without warning- and all-too-frequently.  Doc always did his best to deal with it all as gracefully and productively as possible. Although his work slowed down his quality never strayed. When his health began to negatively impact his work he had the grace and dignity to put down the file. His high standards were uncompromising to the end. Never would a mouthpiece leave his bench with the Tenney or “10E” stamp without it being an example of his “best work”.

Doc, I’ll miss you but I’m so happy that you have finally found peace!!!

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